Light, colour, abstraction, perception, hallucination: a few concerns closely akin to those of ETANT DONNÉS which, however, do not amount to them. The most fruitful feature of such closeness lies in the tension of the many differences, and mainly, for ETANT DONNÉS, the issue of the primacy of the visible and the real, which does not exclude the pursuit of sensation.

Shenzhen River (the border btw Hong Kong and Shenzhen), and the Second Line of Shenzhen Special Econ...

An experience of a camera swinging in different gestures facing the optical distortion of the Sun. T...

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of...

Shot in two places marrying with each other by a single and fractured bridge between Condrieu and le...

"Like a Dream That Vanishes" continues Sternberg’s work in film both thematically and formally: the ...

Footage filmed in Spain, subjected a new visual effects process. Deslaw devoted himself to the disco...

Luis Bunuel, the father of cinematic Surrealism, made his film debut with 'Un Chien Andalou' in 1929...

In PATH OF CESSATION the image that is communicated to us by Fulton is a highly mystifying one. Rath...

"This film explores how freedom of speech — including dissent — is afforded to all Americans, and sh...

A group of leftist activists expose the exploitation of immigrant workers by a criminal network with...

One of Paik’s most overtly political and poignant statements, Guadalcanal Requiem is a performance/d...

Former European boxing champion Santiago Rojas has been completely disconnected from the world of bo...

In 1952, Haanstra made Panta Rhei , another view of Holland through the eyes of a painter and filmma...

Tugging Diary documents a footbridge over a year between August 2019 to January 2021. Due to social ...

The constant movement of the wheels, threads, sprockets, feet and hands suggests restlessness, and t...

A small portrait of the volatility of intimacy and of breaking free from abusive cycles: made in res...

An eight-hour contemplative epic, entirely starring sheep.

Two halves split by the perseverance of a scorpion. Come on, feet.