Pioneering artist Lillian Schwartz demonstrates the human input -- integrity, artistic sensibilities, and aesthetics -- that goes into producing early computer art. In voice-over she explains the intent behind a number of her films and offers insight into the artist's problems and decisions. Produced for AT&T.
Tired of being a banal architectural ornamental, a sculpture runs from the Louvre to confront real l...
In the space of 10 minutes, the African baobab tree grows 0.008 mm, the fastest dog in the world, th...
Enslaved in a surreal world of living objects, a lamb cutlet does whatever it takes to make ends mee...
Real time development of a video feedback, processed and controlled through a video keyer. Sound res...
A desktop documentary that focuses on the Golden Record that NASA sent into space in the late 1970s....
Journey into Amazing Caves is an extraordinary IMAX adventure into the depths of the earth to uncove...
Hollywood has made up their minds, forcing theaters to convert to digital or go dark. As theaters ar...
In a comparative study between different forms of calligraphy, the film traces parallels between mod...
Good Grief is a short stop motion animated documentary that explores the lessons we learn from deali...
She and Her Cat details the life of a cat, entirely from the cat's perspective, as it passes time wi...
Some 220 miles above Earth lies the International Space Station, a one-of-a-kind outer space laborat...
In 1978, just after Le fond de l'Air Est Rouge, which mercilessly analyzed the previous ten years of...
The second essay about still dominant dark aspects of our modern society. It is conceived as a surre...
A discussion of the very important and highly controversial film, GUESS WHO'S COMING TO DINNER, feat...