Pioneering artist Lillian Schwartz demonstrates the human input -- integrity, artistic sensibilities, and aesthetics -- that goes into producing early computer art. In voice-over she explains the intent behind a number of her films and offers insight into the artist's problems and decisions. Produced for AT&T.
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take...
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants...
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and ...
Mexico in the 90s. Alex, a 7 year-old boy and his little siblings are left in the care of senile Aun...
Gwen is 11 years old. As she experiences her first excitements, she catches her dog laughing.
A pupil turns up to his new class for the first time. However, this pupil is different to the others...
A newly-baked bun in a bakery tries to avoid getting eaten.
Elles Kiers and Sjef Meijman lived intensively with four Bunte Bentheimer pigs for seven months. Dur...
Gulosus (the glutton), is an alluring yet disturbing view of gluttony in contemporary culture. The f...
'Kiki de Montparnasse' was the unwary muse of major avant-garde painters of the early twentieth cent...
A short documentary covering the conclave and election of Pope Pius XII.
Tara was built by John Bergeron back in 2003 and 2004. John was trying to bootstrap the android ind...
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a t...
Short documentary about an archetypal library concept for kids in Clamart.