Two decades on from Cinema of Unease, Tim Wong’s essay film contemplates the prevailing image of a national cinema while privileging some of the images and image-makers displaced by the popular view of filmmaking in Aotearoa. Now streaming for free at: films.lumiere.net.nz

A timeless landscape steeped in history that is little changed today, but was surely made to be film...
In the fourth and final instalment of Karel Vachek’s not-so-little Little Capitalist Tetralogy, prep...

A short documentary about the making of Chaplin's "Limelight."

From 1970-1977, six low budget films shown at midnight transformed the way we make and watch films.

A gentle love story from the harsh environment of northern Bohemia.

Ka Hoʻina documents members of Hui Mālama I Nā Kūpuna O Hawaiʻi Nei's final repatriation of over 140...

Returning to the island that her father left 50 years earlier, the filmmaker goes back in time to re...

The second part of the endless series about Moravia offers an even darker descent into the soul of M...

Home is where we grow up or settle permanently. And this home is always shaped by nature. Today, we ...

Twenty-five films from twenty-five European countries by twenty-five European directors.

An experimental short film, shot during the COVID-19 pandemic, made by one person. Using recorded sc...

A look at the first years of Pixar Animation Studios - from the success of "Toy Story" and Pixar's p...

An experimental documentary about dead turtles, crab swarms, decaying tennis courts, and microscopic...

Hacking at Leaves documents artist and hazmat-suit aficionado Johannes Grenzfurthner as he attempts ...

A Maasai human rights lawyer fights to stop the evictions of his people from their homelands in Tanz...
Found footage sequences from various obscure campy Austrian films assembled together with a very dar...

The first mountains that the Amsterdam-based Colombian artist and filmmaker Ana Bravo Pérez saw in t...

In a remote area of northern Spain, the wind has a name: Tramuntana. Tramuntana takes what it wants—...