The Met production easily has the most beautiful staging, designed by Otto Schenck, who also produced the fabulous set for the Met's previous Ring cycle. Kurt Moll is a wonderful Gurnemanz, but compared to his studio recording under Karajan a decade earlier it has lost some of its original velvety body and luster. As Parsifal, Jerusalem is starting to show some wear and tear on his voice at the Met in 1992 as opposed to his prime form at Bayreuth in 1981, but is still quite good; only Placido Domingo could compete with him in the role at that time.
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A short experimental film shot on Super 8, inspired by the music of Richard Wagner.
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This all-star cast is framed by Peter Hall’s gritty, realistic production and conducted by James Lev...
This film is a docufiction on the great Toscanini directed by well-known filmmaker Larry Weinstein; ...
Three arias from Antonín Dvořák´s fairytale opera Rusalka turned in to a movie, sung by Gabriela Beň...
Robert Lepage’s landmark staging of Wagner’s Der Ring des Nibelungen, unveiled over the course of th...
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Adaptation of John Gay's 18th century opera, featuring Laurence Olivier as MacHeath and Hugh Griffit...
Robert Lepage’s remarkable Met Opera production of Wagner’s Der Ring des Nibelungen, the 2013 Grammy...
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The impulsive and charismatic Don Giovanni travels through Europe seducing women, accompanied by his...
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