"Looking for men and women aged over 65" was the small ad in a local newspaper in Wuppertal, through which the choreographer Pina Bausch sought senior performers for the remake of her dance spectacle "Kontakthof". 26 amateurs aged from 65 to 72 were selected. They rehearsed for over a year and the premiere took place in the early 2000s in Wuppertal. Lilo Mangelsdorff has accompanied this exceptional project with a camera. The result is a touching film, which focuses on the dancers' stand with their fears and inhibitions, their enthusiasm and passion.

“Raised by Krump” explores the LA-born dance movement “krumping,” and how the dance has helped the l...

From the rains of Japan, through threats of arrest for 'public indecency' in Canada, and a birthday ...

An Austrian director followed five successful African music and dance artists with his camera and fo...

"Something to Call Our Own" is a compelling documentary that delves into the origins, obstacles, and...

The first woman to appear in front of an Edison motion picture camera and possibly the first woman t...
In this revealing documentary, burlesque star Immodesty Blaize examines the world of British burlesq...
A short dance film in Pathécolor, also know as stencil colouring. The editing cuts correspond with t...

A unique hybrid of documentary, silent film, drama and dance, 'Breaking Plates' puts revolutionary w...

Terpsichore is a captivating exploration of dance as an art form, illuminating the passion, discipli...

After Awesome Tapes From Africa's Brian Shimkovitz found the energetic, ecstatic music of Ghanaian m...

A dance group rehearses for their latest performance Inabitáveis about black homosexuality. While th...

A whistle blower counts the steps. The steppers share glances. The whistle blower stops blowing the ...

A quickfire portrait of the New York City ballroom scene in the ‘80s.

Dance educator LIN Ssu-tuan is the first professional nude model in Taiwan in the 1950s and the 1960...

A debate about the presence of black culture in Brazilian contemporaneity, as well as the various pa...