A revealing one-shot portrait of two Nepali newlyweds in a moment of rest and playful interaction, Stephanie Spray's Untitled challenges our perception of two themes at the very core of ethnographic filmmaking: human relationships and the ways in which they can be experienced by the viewer. Only fourteen minutes long, Untitled is uncut, rejecting the implications of edited sequences and also purposefully excluding subtitles over the couple's conversation. The style of the film confronts the history of ethnography as a controversial study of the "other" by refusing us any clear messages or meanings behind what is being presented, challenging the viewer to come up with their own answers to any questions that may arise.

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A struggling actress with an affinity for horses meets wealthy rock music promoter and stable owner ...

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Portraits of contemporary African women from four West African nations: Burkina Faso, Mali, Senegal ...

The T.N.P., the Théâtre National Populaire, an important experimental theater directed by Jean Vilar...

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This film features some of the most important living Postmodern practitioners, Charles Jencks, Rober...

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