A revealing one-shot portrait of two Nepali newlyweds in a moment of rest and playful interaction, Stephanie Spray's Untitled challenges our perception of two themes at the very core of ethnographic filmmaking: human relationships and the ways in which they can be experienced by the viewer. Only fourteen minutes long, Untitled is uncut, rejecting the implications of edited sequences and also purposefully excluding subtitles over the couple's conversation. The style of the film confronts the history of ethnography as a controversial study of the "other" by refusing us any clear messages or meanings behind what is being presented, challenging the viewer to come up with their own answers to any questions that may arise.

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When the Switchblade, the most sophisticated prototype stealth fighter created yet, is stolen from t...

Between Munich and Seville, the destinies of sixteen characters intertwine and intersect, missing ea...

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The film is dedicated to the ethnogenesis of a small people, preserving their traditions and languag...