A revealing one-shot portrait of two Nepali newlyweds in a moment of rest and playful interaction, Stephanie Spray's Untitled challenges our perception of two themes at the very core of ethnographic filmmaking: human relationships and the ways in which they can be experienced by the viewer. Only fourteen minutes long, Untitled is uncut, rejecting the implications of edited sequences and also purposefully excluding subtitles over the couple's conversation. The style of the film confronts the history of ethnography as a controversial study of the "other" by refusing us any clear messages or meanings behind what is being presented, challenging the viewer to come up with their own answers to any questions that may arise.

Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greec...

Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave t...

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Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take...

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants...

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a very quiet weekend car center. A car that appears somewhere starts to turn around the car center. ...
Documentary - They're clean, educated, articulate and rarely receive public assistance. But followin...

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July 2006. Another war breaks out in Lebanon. The directors decide to follow a movie star, Catherine...