A revealing one-shot portrait of two Nepali newlyweds in a moment of rest and playful interaction, Stephanie Spray's Untitled challenges our perception of two themes at the very core of ethnographic filmmaking: human relationships and the ways in which they can be experienced by the viewer. Only fourteen minutes long, Untitled is uncut, rejecting the implications of edited sequences and also purposefully excluding subtitles over the couple's conversation. The style of the film confronts the history of ethnography as a controversial study of the "other" by refusing us any clear messages or meanings behind what is being presented, challenging the viewer to come up with their own answers to any questions that may arise.

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An unconventional biography by Oscar nominee Paola di Florio and Sundance winner Lisa Leeman about H...

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Documentary about the rave and techno scene of the 90s.

Dr Iain Stewart tells the story of how Earth works and how, over the course of 4.6 billion years, it...

Color UCLA Student Film, Preserved by the UCLA Film and Television Archive. Documentary sans comment...

Award-winning filmmaker Carroll Ballard’s cinematic science excursion into microcinematography and e...

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Rose Morgan, who still lives with her mother, is a professor of Romantic Literature who desperately ...

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