A revealing one-shot portrait of two Nepali newlyweds in a moment of rest and playful interaction, Stephanie Spray's Untitled challenges our perception of two themes at the very core of ethnographic filmmaking: human relationships and the ways in which they can be experienced by the viewer. Only fourteen minutes long, Untitled is uncut, rejecting the implications of edited sequences and also purposefully excluding subtitles over the couple's conversation. The style of the film confronts the history of ethnography as a controversial study of the "other" by refusing us any clear messages or meanings behind what is being presented, challenging the viewer to come up with their own answers to any questions that may arise.
A wry look at the effects of sexual repression on lesbian and gays in former Czechoslovakia. After t...

Between Munich and Seville, the destinies of sixteen characters intertwine and intersect, missing ea...

A devout Mormon living in L.A. becomes a pornographic actor after his martial arts moves impress a b...

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Nicholas Vreeland walked away from a worldly life of privilege to become a Tibetan Buddhist monk. Gr...

Under the neon lights in a gay-friendly neighborhood of New York City, four young African-American l...

The National Iranian Oil Company (NIOC), formed upon nationalization of the British Anglo-Iranian Oi...

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PJ spends a sleepless night getting roped into a sniper revenge plot.

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Troy has resorted to speed dating, where he meets Cassandra, who uses tarot cards to skip the awkwar...

Thinking he can overshadow an unknown actress in the part, an egocentric actor unknowingly gets a wi...
A typical group of young people get together at the weekend. Drinking is part of it because, accordi...
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Jean, a schoolboy who started smoking at the age of 8, talks about his addiction. Jean's smoking car...

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