“In this legendary sculpture/performance Acconci lay beneath a ramp built in the Sonnabend Gallery. Over the course of three weeks, he masturbated eight hours a day while murmuring things like, "You're pushing your cunt down on my mouth" or "You're ramming your cock down into my ass." Not only does the architectural intervention presage much of his subsequent work, but all of Acconci's fixations converge in this, the spiritual sphincter of his art. In Seedbed Acconci is the producer and the receiver of the work's pleasure. He is simultaneously public and private, making marks yet leaving little behind, and demonstrating ultra-awareness of his viewer while being in a semi-trance state.” – Jerry Saltz (via: http://www.ubu.com/film/acconci_seedbed.html)

Painter Zdzisław Beksiński, his wife Zofia and their son Tomasz, a well-known radio journalist and t...

Cecil Taylor was the grand master of free jazz piano. "All the Notes" captures in breezy fashion the...

About Stefan Stricker, who calls himself Juwelia and has been running a gallery on Sanderstraße in B...

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Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has os...
This MGM Passing Parade series short takes a look at changing definitions of art in the United State...

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A documentary featuring 30 Argentinian women aged between 4 and 80, sharing their stories of resilie...

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Jim Carrey exhibits his talent as a painter and reflects on the value and power of art.

What does modern art mean for ordinary visitors to an exhibition?

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Celebrating Billy Connolly's 75th birthday and 50 years in the business, three Scottish artists - Jo...