Four four-minute image sections and four four-minute sound sections are linked in all combinations of the sound sections with each of the image sections. This established affinities between each of the image sections to the others, and the sound sections to each other. The image sections are: surveyors measuring the land near my house as seen through an old window, a family of Siamang Gibbon apes in the Washington zoo, an industrial site, and a page turned from a book on Cézanne’s composition showing a diagram of his painting Mardi Gras, filmed against bright leaves. The sound sections are: a dramatic scene from Debussy’s opera “Pelléas et Mélisande”, a passage from William Wordworth’s autobiographical poem “The Prelude,” sounds from rowing on a lake at night, and the sounds of the apes vocalizing.

This video art experiment and survey on human's visual and sound perception which have an influence ...

The film juxtaposes/compares two museums: The Museum of Art, Ein Harod, Israel, which Samuel Bickels...

A story of a group of humanoid rabbits and their depressive, daily life. The plot includes Suzie iro...

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An experimental re-telling of the last days of the Romanov sisters.

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Playful and rythmic self-portrait shot on Super 8mm and 16mm. Colored directly on the super 8mm.

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