The film portraits the stage previous to the outbreak of the Mexican Revolution, from the end of Porfirio Díaz´ government, the social volatility, the ephemeral government of Madero and the presence of the working class in the figures of Villa and Zapata, until the signing if the Constitution of 1917. All of this through moving images, filmed during those events mainly by the Alva brothers, filmmakers of that time. Those images let us perceive the contradictory and shuddered glance of the people of that period.

A documentary about the Synthwave scene, nostalgia and the universe of creating sounds. A love lette...

Jesus 'Chuy' Aceves and a dozen living members of his extended family suffer from the very rare cond...

Is the story of a generation of thieves who achieved their greatest victories in the sixties; their ...

How are the sex scenes filmed? What tricks are used to fake the desire? How do the interpreters prep...

A profile of writer-director Billy Wilder

The history of Bruguera, the most important comic publisher in Spain between the 1940s and the 1980s...

Rosa is a Mexican woman who, at the age of 17, migrated illegally to Austin, Texas. Some years later...

The story of Mexican revolutionary Emiliano Zapata, who led a rebellion against the corrupt, oppress...

Documentary examining the work of sculptor Richard Lippold, particular his sculpture of the sun at t...

Though Henry Kissinger is often giving short statements to the media, he refuses detailed interviews...

How does Genesis relate to the "real world?" Does it matter whether one believes in Creation or Evol...

Martin Scorsese is among those paying tribute to Gene Tierney, the Academy Award-nominated American ...

An analysis of the impact on the United States Latino community of immigration policies promoted by ...

The Garbage Pail Kids are 30 years old. Celebrate their gross-out greatness with artist interviews, ...

This compelling Documentary moves beyond the spotlight and past the attention-grabbing headlines to ...

A documentary film on the making of 'Close Encounters of the Third Kind'