Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into the energies of Nature, while her own energy radiates and echos in the forest ("selva"). The camera amplifies and expands her presence, transforming the forest into an imaginary space. The camera becomes a painter's brush.
Outrage kiss-in at Bow Street police station in London, with a demonstration against homophobic gove...
This is the story of Roger, a former pork butcher, who worked for 40 years in the beautiful town of ...
Gérard Courant applies the Lettrist editing techniques of Isidore Isou to footage of late 70's pop c...
In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Unt...
Black Hole Radio is an installation that consists of taped confessions of callers of the New York Ci...
Openland is an art film guided by issues surrounding micro states and its derivative definitions. Th...
A fragmented collection of independent closed cinemas, in London during lockdown, captured on Super ...
A young girl’s fiery dance, accidentally caught on 16 mm film in the street. The viewer is confronte...
In this tape, Ko Nakajima and Video Earth Tokyo interview a homeless man. The subject is initially a...
A documentation of the year of high school of 1970 to 1971 for students and teachers alike at the St...
A dark and magical visit to the fabled Parisian address Rue Fontaine 42. This was the residence of A...
An odyssey through Beethoven’s lasting presence and influence in our modern world – viewed through t...
Canadian Pacific I is made up of a series of slowly dissolved shots done from the same framing over ...
Canadian Pacific II is designed as a companion piece to Canadian Pacific I. Shot from a window two ...
Told through performances, TV interviews, home movies, family photographs, private letters and unpub...
The second half of Gustav Deutsch's experimental Film ist. series, constructing new narratives and m...
Eerie images of landscapes after the Fukushima nuclear disaster shot on black and white 8mm.
The biggest, most populated, and frantic city in South America. While Cariocas are like tropical bir...
Migrating by sea from Holland as an eight-year-old, Dirk de Bruyn went on to be a doyen of Australia...
Indifferent landscapes, refracting light, some lonely bird and the window to the sebum-laden living ...