Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into the energies of Nature, while her own energy radiates and echos in the forest ("selva"). The camera amplifies and expands her presence, transforming the forest into an imaginary space. The camera becomes a painter's brush.

"In A MILLION IN DEBT IS NORMAL, SAYS MY GRANDFATHER, Gabriele Mathes traces the consequences of the...

Told through performances, TV interviews, home movies, family photographs, private letters and unpub...

Eerie images of landscapes after the Fukushima nuclear disaster shot on black and white 8mm.

An odyssey through Beethoven’s lasting presence and influence in our modern world – viewed through t...

Among the millions of victims of the Nazi madness during the Second World War, Pierre Seel was charg...

Canadian Pacific I is made up of a series of slowly dissolved shots done from the same framing over ...

Canadian Pacific II is designed as a companion piece to Canadian Pacific I. Shot from a window two ...
Migrating by sea from Holland as an eight-year-old, Dirk de Bruyn went on to be a doyen of Australia...

The second half of Gustav Deutsch's experimental Film ist. series, constructing new narratives and m...
This experimental short traces the lifespan of the graffiti and murals present at the occupation of ...

Tove and Tooti in Europe is a documentary charting the voyages through Europe of the world famous au...

Crash 'n' Burn is an experimental film shot in and named after Toronto, Ontario's first punk rock cl...

In 1927, filmmaker Oskar Fischinger traveled for three weeks along the side roads between Munich and...

Antonio Gracia José (1942-2011), known as “Pierrot,” was a prominent member of the Barcelona art sce...

'The angle of the world allows us to see the real as an outer and inner presence at the same time, a...

Indifferent landscapes, refracting light, some lonely bird and the window to the sebum-laden living ...

Familiar Phantoms is an experimental documentary short film about memory, history and trauma.

A short film shot on Super 8 which captures the last days of winter.

Fog surrounds the peak of a mountain as summer wildflowers bloom.

Stewart Copeland, drummer for The Police, compiles his Super 8 footage to offer an intimate look at ...