Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.
Part of the "I Love My Label" documental project dedicated to independent music labels from Portugal...
"Dope, Hookers and Pavement" is a lively and unfiltered account of the early days of the Detroit har...
Following the 1884–85 Berlin Conference resolution on the partition of Africa, the Portuguese army u...
Eminem’s debut studio album “Infinite” was released in November of 1996. “Partners In Rhyme” is the ...
Makulatura [which means both scrap paper and pulp fiction in Russian] is a duo of poets Evgeniy Alyo...
Indie rock icons the Archers of Loaf reunited in 2011, and during the course of their reunion tour p...
What is "la escena" (the scene) and what is its importance, if any? Guillermo Gómez Álvarez tries to...
Imposed under the British colonial rule in 1860, Section 377 of the Indian Penal Code criminalise an...
In the early 1980's, The Cardiac Kidz became one of the most famous local San Diego punk bands ever....
Montezuma is a 2009 BBC Television documentary film in which Dan Snow examines the reign of the Azte...
Biographical portrait of the labor movement and left wing movement in Uruguay, "Conversations with T...
Negotiating Amnesia is an essay film based on research conducted at the Alinari Archive and the Nati...
The film is about the band Stockholms Negrer, but also about what formed their music, about being Sw...
G-Funk is the untold story of three childhood friends from East Long Beach who helped commercialize ...