"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human." (Tom Gunning)

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a t...

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides a...

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northe...

Two unique perspectives on the city of Liverpool come from interviews with the director's parents.

Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms...

Children get ready to start the first grade. They start learning the first letters.

"This film explores how freedom of speech — including dissent — is afforded to all Americans, and sh...

An appreciative, uncritical look at silent film comedies and thrillers from early in the century thr...

The inner world of the great painter Max Ernst is the subject of this film. One of the principal fou...
A documentary about some of the comedians of the silent era featuring clips from their films and bio...

With no choice, César faced leaving his family behind, quitting his job and joining the Army. In an ...