"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human." (Tom Gunning)

This public-school educational film warns of the dangers of cheating. John Taylor is struggling with...

Here's a strange one. First, a song on a blackboard: a Polish translation of “I love my little roost...

The inner world of the great painter Max Ernst is the subject of this film. One of the principal fou...

Presents life in 18th century Spain as the painter Francisco de Goya showed it to us.
Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, ...

An appreciative, uncritical look at silent film comedies and thrillers from early in the century thr...

"This film explores how freedom of speech — including dissent — is afforded to all Americans, and sh...

Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms...

Madrid, Spain, 1949. The Circo Americano arrives in the city. While the big top is pitched in a vaca...

"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, ch...

Luis Bunuel, the father of cinematic Surrealism, made his film debut with 'Un Chien Andalou' in 1929...

A cinematic portrait of the homeless population who live permanently in the underground tunnels of N...

French Resistance's documentary during the liberation of Paris in August 1944.