Eight women on the margins of Israeli society are thrown together during the course of a school year at Tel Aviv's oldest beauty school. Amidst the combs and colorings, these women present a microcosm of modern-day Tel Aviv -- native Israelis and new immigrants, Asians and Africans, among them women struggling with cancer and personal loss. As they learn to create beauty without, each woman undergoes a powerful transformation within.

A documentary that proposes a conversation about the way children are praised. While girls are often...

In 1961, history was on trial... in a trial that made history. Just 15 years after the end of WWII, ...

Nefertiti's Daughters is a story of women, art and revolution. Told by prominent Egyptian artists, t...

A music festival symbolizing peace, freedom, and eternal love transforms into a horrifying nightmare...

Alberta, Julia, and Catalina are three Chatino migrant women who have had to leave their communities...

An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct h...

Produced by CBN Documentaries and Biblical Productions, "In Our Hands" tells the story of the Battle...

With the most tech startups and venture capital per capita in the world, Israel has long been hailed...

The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palesti...

A documentary from 1987 featuring the life of early Chinese immigrants to the island of Newfoundland...

Outraged by the controversial January, 1988 article in Cosmopolitan magazine, the women in the AIDS ...

A prefabricated estate in Moscow is meant as a transit stop for four queer Cuban exiles – until Russ...

A thought-provoking documentary on the current and historical causes of the Israeli-Palestinian conf...

A computer screen, images from the four corners of the world. We cross borders in one-click while an...

What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines ani...

They are clad in the religiously correct abaja, are not allowed to drive and yet still go their own ...
Through the personal memory of the view of the director who in first person re-lives, after fifty ye...

Fearing for their lives, Afshin, Alain and Patricia fled their country, without their parents, when ...

What if from one day to the next, you’re no longer seen, but instead are stared at? The leading char...