France, 1792. Chenier is an idealistic poet, in love with the aristocratic Maddalena. While Chenier supports such notions as "liberte, fraternite egalite," his sympathies do not extend to the current Reign of Terror. Likewise, the Revolutionary Tribunal has no need for poets or their girlfriends, especially those judged to be an Enemy of the State. Heads will roll.
Axel Kohler, the internationally renowned countertenor has brought Admeto into the modern era in tim...
The many passionate, fiery or lyrical vocal pieces of Spanish zarzuela have continued to thrive in c...
Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert...
This DVD of a live 2005 performance from the Zürich Opera under the musical direction of Franz Welse...
The painter Lili Elbe was the first person to have gender confirmation surgery in the 1930s. The hom...
Simon Keenlyside smolders dangerously in the title role of Mozart’s version of the legend of Don Jua...
Giuseppe Verdi based his famous opera on the novel “The Lady of the Camellias” by Alexandre Dumas. R...
“Kaufmann is performing the title role for the first time, and it’s hard to imagine him bettered. Hi...
The life and career of Italian opera singer Farinelli, considered one of the greatest castrato singe...
Philippe Jaroussky as Ruggiero is in thrall to Patricia Petibon as the sorceress Alcina in Katie Mit...
Louisa Muller makes her Garsington directing debut and we welcome back Richard Farnes (Falstaff, 201...
This is funny or rather crazy adaptation of classical opera Carmen inspired by famous czech theatre ...
The gorgeous and evocative Otto Schenk/Günther Schneider-Siemssen production continues with this sec...
Siegfried is the third of the four operas that constitute Der Ring des Nibelungen (The Ring of the N...
Olga Neuwirth, for a long time one of the great composers of the present, succeeds with this opera i...
At the Grand Théâtre de Bordeaux, Raphaël Pichon conducts a new production of Rameau's opera Dardanu...