Two fragments of 8mm home-movie footage shot by the artist near Berlin weave together in repeating cycles of action, temporal manipulation, and colour distortion, heightening the viewer’s awareness of film-time and the film-image, and perception of colour in motion.
Dark blood red slow shifting tones (often embedded in dark) / (often shot-thru with parallel wave-li...
The ultimate manual when it comes to the proper handling of the living dead. Recommended behavioural...
Mad God is a fully practical stop-motion film set in a Miltonesque world of monsters, mad scientists...
Elles Kiers and Sjef Meijman lived intensively with four Bunte Bentheimer pigs for seven months. Dur...
'Kiki de Montparnasse' was the unwary muse of major avant-garde painters of the early twentieth cent...
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a t...
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw...
A man entranced by his dreams and imagination is lovestruck with a French woman and feels he can sho...
The story told in Hisser was inspired by a true occurrence. In 2013, a young man in Florida was lite...
A video letter to Nancy Holt, made in homage to a shared interest in terminal lakes, framed views, m...
This film without words is composed of Pamela Bone's unique photograhic transparencies. Her talent h...
Takeda is a film about the universality of the human being seen thru the eyes of a Japanese painter ...
Originally edited in two versions. Version I, 70 minutes; version II, 90 minutes. (The only known ex...
A scarce and seldom seen cartoon from 1937 with excellent hot jazz and containing caricatures of Cab...
After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall int...
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by mod...