Bressane's second London film, shot in six days in his apartment. "I had seen the French avant-garde films of the 1920's and naturally the title cites Breton. But underneath it can also be read in many ways. It is a cinema that is invented on the spur of the moment, like you invent an instrument to play music and then abandon it. This film came out like an improvisation, a total risk. It is a deconstruction of meaning but not in the analytical, intellectual sense. I have always tried to lose myself with my films. There is no trace of American or French underground cinema. If anything, it is the idea of home movies, there were many ideas for digital films long before digital film existed. This film made itself, it was like a jazz improvisation. Amor Louco is a lost object, it doesn't speak any language, it has no signs, no letters, no captions. And in the scene where the cataract is cut with the razor blade, it was the adventure of the film itself that was put to the test".

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in ...

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CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, w...

A psychiatrist tells two stories: one of a trans woman, the other of a pseudohermaphrodite.

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by mod...

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