Bressane's second London film, shot in six days in his apartment. "I had seen the French avant-garde films of the 1920's and naturally the title cites Breton. But underneath it can also be read in many ways. It is a cinema that is invented on the spur of the moment, like you invent an instrument to play music and then abandon it. This film came out like an improvisation, a total risk. It is a deconstruction of meaning but not in the analytical, intellectual sense. I have always tried to lose myself with my films. There is no trace of American or French underground cinema. If anything, it is the idea of home movies, there were many ideas for digital films long before digital film existed. This film made itself, it was like a jazz improvisation. Amor Louco is a lost object, it doesn't speak any language, it has no signs, no letters, no captions. And in the scene where the cataract is cut with the razor blade, it was the adventure of the film itself that was put to the test".

Experimental short film from Yugoslavia. A woman and a man are making out on a bed, when suddenly an...

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only bec...
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Seeking fulfillment, a young drifter forgoes isolation to embark on a year-long murder spree.

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A psychiatrist tells two stories: one of a trans woman, the other of a pseudohermaphrodite.

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An experimental film that lifts the veil on the world of African American drag racing.

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Italian immigrant kidnaps a wealthy British woman, and they fall in love.

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A take it or leave it auteur-experimental fiction exercise: two women are monitoring their dreams, d...

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Experimental film by Aldo Francia that consists in diverse situations through the 123 steps of the S...

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The Kuwaiti short film العاصفة (The Storm) explores Kuwait's social and economic shifts before and a...