In the beginning the idea was to make something from nothing, in a neutral and unknown place. Collect images and sounds instead of producing them. The camera, the microphone and the mini-amplifier: tools that take away and then give back. We defined a rule: the sound shouldn't illustrate the image and the image shouldn't absorb the sound. Less than a hundred kilometres from Reykjavik we found Strokkur. For three days we saw and heard the internal dynamics of the crevice: the boiling water that spat out every seven minutes and the thermal shock, given the eighteen degrees below zero of the atmosphere.

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Steep traces the legacy of extreme skiing from its early pioneers to the daredevils of today.

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After consolidating itself as a tourist destination in the mid-1960s, this small coastal village has...

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Marko Röhr's film crew takes the viewer to Europe's last unexplored area: Iceland's unique underwate...

Liz Bonnin introduces a cast of charismatic animals to reveal the remarkable strategies they use to ...

In southern Germany, winter can still be admired in all its glory every year. With its white coat of...
Migrating by sea from Holland as an eight-year-old, Dirk de Bruyn went on to be a doyen of Australia...

Every year, thousands of Antarctica's emperor penguins make an astonishing journey to breed their yo...

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In a remote area of northern Spain, the wind has a name: Tramuntana. Tramuntana takes what it wants—...