The subject is two grotesque-looking human beings who are sitting on the deck of a ship. The two weird individuals sit cross-legged and do the bidding of a man in oriental costume. The point of the film seems to be directed at the fact that the bone structure of the two subjects makes them look like monkeys or apes, and the spectators seem to be trying to get them to behave like monkeys, that is, scratch themselves, etc.
The film follows Ongka's struggles to accumulate huge numbers of pigs and other items of value to pr...
The lives of Stan Laurel (1890-1965) and Oliver Hardy (1892-1957), on the screen and behind the curt...
Children and teenagers throw sticks, berries, and leaves at each other from perches in a large baoba...
A movie follows a regular working day of a woman who works in a factory. She wakes up at 3am and goe...
Haji Omar and his three sons belong to the Lakankhel, a Pashtoon tribal group in northeastern Afghan...
Nazi Third Reich propaganda film that used architecture as a statement about "racial accomplishment,...
A documentary about the histoy and linguistic ties of the Finno-Ugric, and Samoyedic peoples. Speak...
Sequel to the "The Waterfowl People". The author interprets the kinship, linguistic and cultural re...
A three-act film-essay about memory and the historical-cultural ties of the Finno- Ugric peoples. T...
In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to ...
"Shaman" was filmed on July the 16th, 1977 in the northernmost corner of Eurasia, on the Taymyr Pen...
A silent succession of black-and-white photographs of the city of Montreal.
Wallace Carlson walks viewers through the production of an animated short at Bray Studios.
As retailers, wholesalers, and negotiators, Asante women of Ghana dominate the huge Kumasi Central M...
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northe...
Short documentary on the Antwerp Ford Motor Company plant.
The director’s grandparents Wilhelmine, an Austrian Catholic, and Bernard, a Jewish Czechoslovakian ...
An unprejudiced portrait of Spanish folklore and a crude analysis in black and white of its intimate...
IN THE LAND OF GIANT PYGMIES, a diary of Aurelio Rossi's 1925 trek into the immense Belgian Congo, p...
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw...