Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see, not something specific that I wanted to say: what the film depicts is above all reality, not fiction. Homeo is, for me, the search for an autonomous cinematographic language, which doesn't owe anything to traditional narrative, or maybe everything. Cinema is, above all, part of a way of life which will become more and more self-assured in the years and century to come. We are part of this change, and that’s why I tried in Homeo to establish a series of perpetual changes, in constant evolution or regress, which tries, above all, to focus on things.

The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Ot...

An experimental documentary about the spectacle of substance abuse on social media. More than 45 hou...

"My last image of Jonas."—Ken Jacobs

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An interview with actor Virginia Madsen about her work in Candyman (1992).

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A look at the various modes of transportation made for the Expo '86 World Fair in Vancouver, Canada.

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