Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see, not something specific that I wanted to say: what the film depicts is above all reality, not fiction. Homeo is, for me, the search for an autonomous cinematographic language, which doesn't owe anything to traditional narrative, or maybe everything. Cinema is, above all, part of a way of life which will become more and more self-assured in the years and century to come. We are part of this change, and that’s why I tried in Homeo to establish a series of perpetual changes, in constant evolution or regress, which tries, above all, to focus on things.

Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms...

An eight-hour contemplative epic, entirely starring sheep.

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The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Ot...

"My last image of Jonas."—Ken Jacobs

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A look at the various modes of transportation made for the Expo '86 World Fair in Vancouver, Canada.

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A collage of newsreels, trailers, clips and other visionary and unseen fragments of sight and sound ...

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"The majority of my 8-mm works were made for the three-minute "Personal Focus" film special put on i...

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Anne Bean, John McKeon, Stuart Brisley, Rita Donagh, Jamie Reid and Jimmy Boyle are interviewed abou...

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