In the eyes of a foreigner practically any street of Mexico City’s Centro Histórico holds potential for a film. Life on the street deserves more than just the natural condition of observer anyone could have, it demands an extra attention. In a 100-meter radius, the sociological exuberance of the events going on is simply impossible to ignore. The street is a mise en scène in itself.

For us, a thought always presupposes a society, a culture and above all the consciousness of time. W...
"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of natu...

Through intimate stories and day-to-day routines we get a naturalistic glimpse into the lives of ind...

An alchemically treated lullaby to the end of cinema, featuring Charlie Chaplin and Buster Keaton.

A documentary portrait of Utopia, loosely framed by Plato’s invocation of the lost continent of Atla...

In continuous motion with no end or barrier in its way.

An eight-hour contemplative epic, entirely starring sheep.

A small portrait of the volatility of intimacy and of breaking free from abusive cycles: made in res...

The last woman on Earth: Filmed inside Biosphere 2 in Arizona, Urth forms a cinematic meditation on ...

This is a film made in Toronto, in memoriam, so to speak - a memory piece, a "piecing-together" of t...

Pun on "light" intended - that short preceding expulsion of breath perhaps the "subject matter" of t...

After a six -or seven- year study of Hammurabi's Code, original Babylonian Text and translation, I'v...

Out of the vagueries of sometime beseeming repetitive light patterns, and the delicately variable rh...

This is an architectural garden of the variably brash rock-solid liquid-encompassing, but always imi...

LIKE is an IndieFlix Original documentary that explores the impact of social media on our lives and ...

"Ryuta is 5 years old. Even though he is my son, I sometimes wonder what this small person is to me....

"My last image of Jonas."—Ken Jacobs