Alix Cléo Roubaud, a photographer, describes her images to Eustache’s son Boris. An “essay in the shape of a hoax”, Eustache’s last film wittily questions the relationship between showing and telling as it gradually shifts Alix’s narration out of sync with what we see.
The camera slowly pans through a room as Smolders offers various observations and memories.

Documentary film about ethnic cleansing in the Prigorodny district in October-November 1992.

Part of John Nesbitt's Passing Parade series, this short shows how three seemingly unimportant thing...

For 17 years, filmmaker Jay Rosenblatt filmed his daughter Ella on her birthday in the same spot, as...

Seeing is to painting what listening is to politics. Survival as an artist demands both. Paint Until...

An experimental short film, shot during the COVID-19 pandemic, made by one person. Using recorded sc...

This short travelogue depicts snippets of locations in Hollywood, California, most of them as seen f...

The lives of Jeff, Lauren and Lloyd—three very different people who share one common experience—have...

A self portrait filmed with a modified PXL 2000 Camcorder. The camcorder itself records on to audio ...

The action is placed in a cramped flat in Warsaw’s district of Ochota. A father and a son, both bedr...

David Lynch, Mädchen Amick, Kyle MacLachlan and John Wentworth reminisce about "Twin Peaks" while se...

Putito is a production with no specific genre, where reality and fiction blend through a testimony w...
The nuns of the Anglican Benedictine Community at St. Mary's Abbey, West Malling, reflect on their c...

The T.N.P., the Théâtre National Populaire, an important experimental theater directed by Jean Vilar...

The peaks, the valleys, and all the moments in between. Being a father is an extraordinary privilege...

Impressionism and expression of a view, Mavy uses fragments of the ocean landscapes of Alice Guy's s...

This documentary reports on the master potter Otto Engelmann from Klingmühl, who was commissioned to...