Vaudeville dancer Amy Muller performs a portion of her stage routine, which features dancing on her toes. She dances on one toe for part of the performance. Later, she also twirls and does cartwheels.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a t...

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides a...
"All sounds travel in waves much the same as ripples in water." Educational film produced by Bray St...

The remarkable spirit of tap dancers and their history provides a joyous backdrop for intimate portr...

The documentary portrayed one of the most established dance companies in Hong Kong which has a histo...

This intimate ethnographic study of Voudoun dances and rituals was shot by Maya Deren during her yea...
Jean Reno discusses his career and his role in the film Léon: The Professional (1994).

A documentary on the surviving syncretic pagan midwinter customs of the British Isles, focusing on n...
A colour anamorphic musical look at London's Heathrow airport over 24-hours in November 1971. The su...
Cao Fei recorded her experiences within the online social platform Second Life. The result is a wist...

220 million years ago dinosaurs were beginning their domination of Earth. But another group of repti...
Things don’t always work out the way we want them to, or the way we think they will. Sometimes we do...

What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on ...

Stories about young Ukrainian dancers and their hasty flight to the Netherlands. You see their new l...

Born to Be Wild observes various orphaned jungle animals and their day-to-day behavioural interactio...

A brief history of the emergence and artistic innovations of tango in 19th-century Argentina and Eur...

Stephen Dwoskin brings together members of the Ballet Negres dance company, founded in London in 194...

A document of Tatsumi Hijikata's Butoh dance with Kazuo Ohno as the guest dancer shot in Hijikata's ...