Godard constructs a lyrical study of the cinematic and creative process by deconstructing the story of his 1982 film Passion. “I didn’t want to write the script,” he states, “I wanted to see it.” Positioning himself in a video editing suite in front of a white film screen that evokes for him the “famous blank page of Mallarmé,” Godard uses video as a sketchbook with which to reconceive the film. The result is a philosophical, often humorous rumination on the desire and labor that inform the conceptual and image making process of the cinema.
The point of departure for this film is the 1981 composition De Tijd by Dutch composer Louis Andries...

In this tribute to the eternal allure of an ancient myth, colourful fins and swimming pools fill the...

In 2011, Maine State Prison launched a pioneering reform program to scale back its use of solitary c...

The Common Touch tells the story of Jake Bailey, viral sensation and student of Christchurch Boys Hi...

The film presents how the human body recognizes and becomes aware of its surroundings. The various i...

Several key words emerge from Hugo Pratt's work, inseparable from his life: travel, adventure, erudi...

This BAFTA nominated documentary tells the story of some of the brightest mathematical brains of a g...
Documentary short showcasing the genius of jazz greats Coleman Hawkins, Roy Eldridge, Cozy Cole, and...

The extraordinary story of how Hollywood changed World War II – and how World War II changed Hollywo...

After a quarter-century of political denial and social stigma, of stunning scientific breakthroughs,...

Georgian director Otar Iosseliani prepares his film Jardins en Automne. Nothing is conventional in t...

Manuel Horrillo has visited for 7 years the fields where the clashes between the Spanish troops and ...

Visiting examples of Herzog and de Meurons ground-breaking style, this film reflects their capacity ...

The fifth project of the Living Architectures series, Inside Piano is composed of three films on thr...