With a title referring to Japanese folklore, wherein things done on the first day of a new year are significant, the film - an ardent dream entirely shot in Japan - stands as a spiritual allegory equating light and dark with life and death.
In continuous motion with no end or barrier in its way.
This portrait of a guinea fowl is the first clear vision I've had of the hot-blooded dinosaurs still...
WORM AND WEB LOVE begins with bracketed light, a throbbing worm in the sand and sea foam mixed with ...
This is a film made in Toronto, in memoriam, so to speak - a memory piece, a "piecing-together" of t...
This stream-of-consciousness could be nothing less than pathway of the soul, as images of Marilyn's ...
"Firstly, I revealed in salutary confession the secret filth of my misdeed, which had long been fest...
Pun on "light" intended - that short preceding expulsion of breath perhaps the "subject matter" of t...
After a six -or seven- year study of Hammurabi's Code, original Babylonian Text and translation, I'v...
Out of the vagueries of sometime beseeming repetitive light patterns, and the delicately variable rh...
This is an architectural garden of the variably brash rock-solid liquid-encompassing, but always imi...
A documentary portrait of Utopia, loosely framed by Plato’s invocation of the lost continent of Atla...
The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Ot...
6-18-67 is a short quasi-documentary film by George Lucas regarding the making of the Columbia film ...
Return to 'burn' only to find out you're already in that urn.
Film by Kenji Onishi. With friends. Mr. Yamase as main character, Sasakubo and Shinojima. And the gi...
Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms...
Drawing on VHS tapes of a programme hosted by her mother on Bulgaria’s national television, the film...
In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starri...