With a title referring to Japanese folklore, wherein things done on the first day of a new year are significant, the film - an ardent dream entirely shot in Japan - stands as a spiritual allegory equating light and dark with life and death.
Drops of fire that create a universe of magmatic asteroids. Liquid and gravitational reality. Cosmic...
Often called a “film poem” or a “film symphonie” Huszárik’s masterpiece consists of montages of hors...
This experimental nature documentary by Minna Rainio and Mark Roberts depicts climate change and the...
What kind of power is accessible through the discovery of a voice? Morgan Quaintance interlinks two ...
Your Ecstatic Self is a conversation unfolding in a car with Sajid, the artist’s brother. As the jou...
Acting as part ode and through a series of interpretations, Claudette’s Star depicts young artists c...
A short film exploring the polyphony of collectivity in the desires, motivations and stories that fo...
In the fictional city of Santa Teresa, located on the border between Mexico and USA, the researcher ...
A homage to Andrei Tarkovski made for the Spanish edition of the Chris Marker movie 'Une journée dan...
On an overcast day late in the summer of 1966, Syd first tripped on mushrooms while film student/fri...
Chao-Li Chi shadow boxes indoors and practices with a sword outdoors. Theoretically, the film descri...
Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetogra...
The film in a metaphorical form demonstrates a model of self-devouring in a closed spiritual system,...
William K.L. Dickson and William Heise shake hands in this early experimental film.
Short film that shows daisies throughout the day with music as an accompaniment.
Creates a reorientation of vision in a union of sights and sounds which suggest a different way of a...
Sepia toning lends a romantic (even wistful) quality to Larry Jordan's film Visions of a City, which...
Lettre d’un cinéaste à sa fille is a playful, free and personal film in the form of a letter, a film...
Someone said to me, of this film, that it was really about light; but Jane (who takes it as a portra...