ĀTMAN is a visual tour-de-force based on the idea of the subject at the centre of the circle created by camera positions (480 such positions). Shooting frame-by-frame the filmmaker set up an increasingly rapid circular motion. ĀTMAN is an early Buddhist deity often connected with destruction; the Japanese aspect is stressed by the devil mask of Hangan, from the Noh, and by using both Noh music and the general principle of acceleration often associated with Noh drama.

Begotten is the creation myth brought to life, the story of no less than the violent death of God an...

To fly a – way from/out of death, don’t hire a taxidermist but take a ride in this taxidrome! Serie...
Life drums the playfulness out of a boy as he grows up.

A guy named Ray tries to go to sleep and a sasquatch gets into funky business.

What could possibly be more important than feeding your daughter?
Gan Escapism is an experimental short film by Ukrainian-born artist Anna Malina. The film was crafte...

A faceless protagonist witnesses the alienation of gentrification as his home is overtaken by develo...

Creeping from the halls of the maze brain, corruption and terror is woven by devils born from the de...

A tragic story of a musician taking a bold voyage in the pursuit of creation, ambition, and need. Le...

A man without his own half of the body is looking for the other half in the opposite sex. As for the...

Seraphim Cloud and his life size doppelgänger enter the netherworld of Calico Ghost Town deep within...

Martina and Sonja, cross-dress in vampire capes and werewolf claws, re-enacting familiar horror trop...

Procedurally-generated frames slowly expand in density to visually explore the mind of a psychopathi...

Filmed on 16mm film, this visual expression is rooted in its archival materials and backed up by the...

A vent in the form of an experimental short film, Lip Balm is about finding ways to cope with what c...

Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate text...

"My last image of Jonas."—Ken Jacobs