ĀTMAN is a visual tour-de-force based on the idea of the subject at the centre of the circle created by camera positions (480 such positions). Shooting frame-by-frame the filmmaker set up an increasingly rapid circular motion. ĀTMAN is an early Buddhist deity often connected with destruction; the Japanese aspect is stressed by the devil mask of Hangan, from the Noh, and by using both Noh music and the general principle of acceleration often associated with Noh drama.
Martina and Sonja, cross-dress in vampire capes and werewolf claws, re-enacting familiar horror trop...
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by mod...
After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the on...
A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is k...
Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, th...
A strange wire-fingered homunculus navigates through his dreams of different faces and faces, traver...
Short film made using cardboard cutouts of a classic Western scene
Begotten is the creation myth brought to life, the story of no less than the violent death of God an...
A story of broken humanity following the invasion of a technologically superior alien species. Bleak...
A sexual reverie unfolds over the course of one ethereal night. Characters wander through an erotic ...
SEELE orders an all-out attack on NERV, aiming to destroy the Evas before Gendo can advance his own ...
A former circus artist escapes from a mental hospital to rejoin his mother – the leader of a strange...
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip to the countryside to...
La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his ...
CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biologi...