ĀTMAN is a visual tour-de-force based on the idea of the subject at the centre of the circle created by camera positions (480 such positions). Shooting frame-by-frame the filmmaker set up an increasingly rapid circular motion. ĀTMAN is an early Buddhist deity often connected with destruction; the Japanese aspect is stressed by the devil mask of Hangan, from the Noh, and by using both Noh music and the general principle of acceleration often associated with Noh drama.

The most important event in the history of the Christian religion occurs beyond the physical plane, ...

A story of broken humanity following the invasion of a technologically superior alien species. Bleak...

A girl who was floating freely in the water accidentally gets her skin cut by a sailboat passing by....

A woman is chased by the wind of an arriving train. What follows is a visual ride, the camera become...

Traditional Northwestern Indigenous spiritual images combined with cutting-edge computer animation i...

An experimental film shot with the purpose of trying to create a hostile alien environment using onl...

In this short film, a young man, a girl and a dog attempt to fly with wings more symbolic than pract...

Six sequences about Fascism and its segments throughout history.

Commissioned by David Bienstock, creator of the New American Film Series at the Whitney Museum of Ar...

Martina and Sonja, cross-dress in vampire capes and werewolf claws, re-enacting familiar horror trop...

This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen ...

A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.

A guy named Ray tries to go to sleep and a sasquatch gets into funky business.

What could possibly be more important than feeding your daughter?