ĀTMAN is a visual tour-de-force based on the idea of the subject at the centre of the circle created by camera positions (480 such positions). Shooting frame-by-frame the filmmaker set up an increasingly rapid circular motion. ĀTMAN is an early Buddhist deity often connected with destruction; the Japanese aspect is stressed by the devil mask of Hangan, from the Noh, and by using both Noh music and the general principle of acceleration often associated with Noh drama.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by mod...
Begotten is the creation myth brought to life, the story of no less than the violent death of God an...
This is a story of love seen from a square, in which a couple gets united, separated and rearranged ...
The sun’s energy circulates throughout the earth, feeding the cycle of life. Everything is connected...
A film in which the one 60-story skyscraper that soars in the spaces between roofs spins with incred...
For the first time I am animating hand-painted engraved cut-outs on a full-color background. The fil...
Creating a universe between two small pieces of Cardboard. When Jack and Jill of Cardboard City are ...
Three screams in a mental system composed of barbed wire and napalm. A plastic tank encloses the geo...
An experimental film comprised of Stanley Kubrick's THE SHINING played forwards and backwards at the...
The blinking sun on the surface of the river becomes the ranting mouth of god and utters nova scotia...
NYC’s genre-bending Temporary Distortion mines the worlds of Japanese ghost stories and J-Horror in ...
An experimental non-linear horror film portraying several surreal scenes of grotesque and violent ac...
Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, th...
An "Idealist" and a "Revolutionary" gather for a summer BBQ & discuss the state of the world in 2020...
After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the on...