Directors Stephen Spielberg, George Lucas, Ridley Scott and James Cameron discuss the science fiction movies of the 1950s that influenced them.

How are the sex scenes filmed? What tricks are used to fake the desire? How do the interpreters prep...
When Arthur Freed brought Alan Jay Lerner to Hollywood to compose a new Fred Astaire musical (based ...

Doctors of the Dark Side is the first feature length documentary about the pivotal role of physician...
Roundtable discussion of the films of Quentin Tarantino with four film critics.

Ricky Tomlinson sits back in his chair and takes a fond look back at the much-loved comedy series Th...

French documentarist Sonia Kronlund follows actor and director Salim Shaheen, an Afghan movie star w...

Napalm is the story of the breathtaking and brief encounter, in 1958, between a French member of the...

Evangelist Bob Larson sits down with Zeena and Nickolas and tries to talk some good old fashioned re...

The evolution of skateboarding culture in Ireland since the late 1980s.

Creator of absolute freedom, David Lynch constructed his work as an enigma to be deciphered between ...

I'm a Porn Star follows the lives of guys in the neighborhood who are likely a lot more famous than ...

In the fifties, when the future Democratic Republic of Congo was still a Belgian colony, an entire g...

More than two-dozen music-videos directed by filmmaker Mark Romanek (One-Hour Photo) are collected t...

Featuring interviews with his accomplices and victims alike, this deep dive explores how a master co...

13 August 1961: the GDR closes the sector borders in Berlin. The city is divided overnight. Escape t...
Germán Cipriano Gómez Valdés Castillo, a young radio announcer from Cuidad Juárez, succeeds in drawi...

Director Dan Farah got 34 senior members of the U.S. Government, military, and intelligence communit...

Documentarians Andre Heller and Othmar Schmiderer turn their camera on 81-year-old Traudl Junge, who...
Tells the story of Tucson and the legendary movies that were shot there.
Interview with critic Molly Haskell about Hawks and Red River