How much of your identity can you outsource? In an attempt to escape her workaholism, visual artist Karina Beumer hires multiple substitutes for herself. What do the substitutes gain from assuming someone else's identity? And what does it cost Karina? It's about losing control and finding yourself.

Charlotte Gainsbourg looks at her mother Jane Birkin in a way she never did, overcoming a sense of r...

The Arts Council commissioned this film to coincide with their major retrospective of Giacometti's w...

A chronicle of the personal life and public career of the celebrated artist and filmmaker Julian Sch...

Biography of a star and figure study : This fascinating portrait is for anyone who wants to know mor...

Documentary about filmmakers of the New German Cinema who were members of the legendary Filmverlag f...

La Garoupe, a beach in Antibes, in 1937. For one summer, the painter and photographer Man Ray films ...

A fascinating journey through the life of Israeli artist Dani Karavan, an irreverent and charismatic...

Eric Leiser displays his boundless creativity in this short collection; A stunning compilation of wo...

A personal, accessible look at an artist - Kevin Barnes, frontman of the endlessly versatile indie p...

Belgrade in the 1990s seen through the eyes of Goran Čavajda 'Čavke', the late drummer of Serbian ro...

THE STORY WON’T DIE, from Award-winning filmmaker David Henry Gerson, is an inspiring, timely look a...

Alma W. Thomas lived a life of firsts: the first Fine Arts graduate of Howard University (1924), the...

A visual journey into the life and legacy of one of Australia's most celebrated artists, Brett White...
Alix left his native island, Martinique, and its musical culture, to study opera singing in Paris. P...
The humorous portrait of a female artist. The film follows the career of 24-year-old Janine F. who i...

Dick Perez, official Baseball Hall of Fame artist for over 20 years, painted the game's history and ...

A documentary that follows the life of photographer Daido Moriyama in the present, which has never b...