A voice says, “Start the car, I killed him!”, and a car speeds away. A basketball court, a family table, a school, and a public plaza begin as ordinary, empty spaces, gradually filling with life—though always marked by an absence. This short film retraces the life of Franco Castro López, a 16-year-old who enjoyed everyday life with his family and friends, doing what he loved and moving through the places he called his own. As national news outlets begin reporting on the deaths of several young people whose families are demanding justice, Franco’s case resurfaces. Through news footage, home videos, testimonies, voices, and photographs, a story once silenced becomes visible again. More than ten years after his killing, his face still covers the walls of Mar del Plata—carrying the hope that he was the last.
Choreography of familiar gestures that the author was able to spice up with a peculiar and original ...
A documentary about the sea and memory. Its movement is its form. Its strength.
In the mountains of Colombia's Coffee Triangle, a family faces the shadow of armed conflict. Years l...
Lucía convalesces from the leg injury she suffered in the previous film. Her friend Ceferino and the...
This short documentary looks at the animated art of Lotte Reiniger. We are taken through a demonstra...
After collecting multiple records related to a painful family tragedy, Victor dives into the archive...
An essay film critiquing post-war France's urban developments- Pialat states that modernity and subu...
A story that explores the role of women in the Malvinas War. The protagonist, leader of a group of v...
The cold and humid night gives rise to the story of the fileteras of the port of Mar del Plata. Film...
A movie director attemps to film the way he writes a screenplay.
Argentina, 1968. In the midst of the Cold War, the dictatorship of Juan Carlos Onganía (1966-70) org...
A glimpse into three different döner buffets in Berlin and how they are connected to the city with t...