Oriza Hirata is Japan's leading playwright and director, who runs his own theatrical company, Seinendan. Theatre 2 (Observational Film Series #4) examines the dynamic relationship between theatre and the society through depicting Hirata's activities. In order for his art and his not-so-commercial company to survive this highly capitalistic modern society, what kind of strategy does Hirata have and practice?
Matúš Bachync's docudrama is an expressive and thought-provoking story of a freedom-loving woman who...

Fernando is an actor and theater teacher who, at the age of 74, is impelled to be the protagonist of...

In an industry that is becoming increasingly competitive, what drives indie filmmakers to keep creat...

Twiggy takes a comprehensive look at the life story of UK model and cultural icon Twiggy, real name ...
A look at the entire process of creating and developing Patrice Chéreau’s third staging of "In the S...

Three children living in a displacement camp in northern Uganda compete in their country's national ...

Cecil Taylor was the grand master of free jazz piano. "All the Notes" captures in breezy fashion the...

Indagine su un cittadino di nome Volonté is a documentary exploring the life and career of Italian a...

A documentary about the rehearsal of a theater production of Ingmar Bergman's "Fanny and Alexander" ...

A professional company of actors with disabilities defies expectations by taking center stage in Chi...
Brief overview of the two actors at the Fox Studio.

How Do You See Me? is a Brazilian documentary feature that entwines both experienced actors and begi...

A documentary about the lives of actors in the Sakura-tai theatrical troupe, which had arrived in th...

Artistic director of the National Theater Eric de Vroedt writes and directs a performance about his ...

A young black artist leaves his Los Angeles digs and travels to Europe to find himself. A theatrical...

With its four operas, seventeen-hour running time and months of rehearsal, Wagner's "Ring Cycle" is ...

Richard Burton is interviewed by film critic Kenneth Tynan