A single female voice sings of waiting in her garden for her ‘dark-eyed sailor’ to return from war, bearing the other half of their token, a gimmel ring. Three veterans pass on the road as she waits, and she asks them: “When you were fighting in distant lands, did you think of the home you left?” In reply the veterans relate their recollections. The garden images in the accompanying film represent ‘home’, but also stand for a more general possibility of redemption, of the potential of the past to return at any time, disguised and changed, to renew the present: “Each moment of time is a garden gate,” the song goes, “Through it my love may walk.”

A documentary film by Peter I. Chang which traces the life of the Japanese musician Hisao Shinagawa ...

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About trauma, resilience and post-traumatic growth in the medics who served with Australia's special...

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Zimbabwean landmine clearers Shame and Cosimas, as well as medic Previous have been traveling to the...

Two elderly sisters share the delicate art of making traditional Hungarian strudel and reveal a deep...

Interviews with a dozen California centenarians against a montage of present day media reportage.

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Directors Hetherington and Junger spend a year with the 2nd Battalion of the United States Army loca...

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