Peter Larsson’s Keyhole Conversation draws the eye down to the small gate of the camera. From there, through quivering and percussive forms of direct and stop-motion animation, the eye begins to experience the scale of an image anew. At times segueing into a flicker, but maintaining a charmed form of attention to the marks of pencils and the channels dredged in emulsion by a paintbrush, all to a curious soundtrack of pulses and bleeps.
Cut up animation and collage technique by Harry Smith synchronized to the jazz of Thelonious Monk's ...
An interactive flash animation from Dutch digital artist Han Hoogerbrugge.
Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as ...
A meditation on isolation through paint textures, video collage and sound
This animated short is a play on motion set against a background of multi-hued sky. Spheres of trans...
LAND is a fluid series of formal land animation experiments based upon the imprint of landscapes in ...
Rainer Kohlberger’s abstract film was created entirely without a camera. Through digital algorithms,...
After Billy finds a winning scratch ticket, the gas station gets a new lottery machine that becomes ...
A political work in which Ko Nakajima opposes himself to the Vietnam War.
A young, wannabe streetwear influencer dying to make an impact on the world gets a lot more than he ...
Video Weavings is a link between the modern (video) and the ancient (weaving) technologies. Video We...
After an unproductive appointment, the Subject returns home as their bottled up emotions reach a boi...
Short animation by Alvise Renzini inspired by a C.G. Jung's dream
A teacher spends a day in their classroom where nothing is what it seems.