Rua de Santa Catarina, a street that was formerly home to dozens of local businesses and hundreds of Porto residents, now sees a crowd of tourists attracted by the cheap, disposable amenities that are popping up everywhere at once. Gentrification has decontextualized Portuguese culture, rendering the landscape uncanny. The Basin Woman, a symbol of the female workers of the historic Bolhão Market, is chased down by seagulls in the midst of this transcendent chaos.

Part ethnographic film and part experimental film, கோயில் (The Temple) is a hybrid piece of cinemato...

A group of soldiers are sentenced for the murders of key political figures in the night of October 1...

A story of The Map and The Territory. Shot in BC, California, and Nevada. Original music by Tashi To...

Crustacés et coquillages is a fresh French comedy film with numerous surprise turnarounds and about ...

An experimental video essay which uses circles and waves to explore neurodivergent experience.

Clara and Hans are left-wing terrorists who have been sought by police for almost fifteen years. The...

fifteen zero three nineteenth of january two thousand sixteen explores how everyday routines and ges...

"We Go Past Future" is an experimental paper collage film by Anna Malina. The film reimagines a seri...

A taxi drives through the city of Berlin. Its driver is a punk, left and a well-known figure in the ...

Costante dies and leaves his wife Torella his computer discovery. Torella entrusts the disk to her h...

In the land of the slides, three handicapped plot against people with two legs.

Moses searches for history into palletes.

Outtakes, commentary from Zefier's third film: Jo; or The Act of Riding a Bike.

A hen questions the meaning of her life on a farm.

Thirty worlds in less than a blink and oh-so many more...