According to Bernard Cohn's review, the directors "show that the painter of British society at the beginning of the 18th century was not only ahead of his time in his aesthetic theories, but that he carried within him the signs that allow us to recognize a creator." (Positif, no. 70, June 1965, p. 73.)
Taqralik Partridge asks what if every language that had been lost to English — every word, every syl...
Unique film of the Impressionist painter Edgar Degas captured walking down a street in Paris in 1915...
Tim Jenison, a Texas based inventor, attempts to solve one of the greatest mysteries in all art: How...
Le déjeuner sur l’herbe is simultaneously perceived from four different camera positions in a work w...
A soldier and member of the Dutch resistance investigates stolen art in the wake of the Second World...
Two hapless drifters, Frank and Bruno, team up with Linde to recover her land and trek across 1870's...
Art curator George Steele experiences a train wreck...which never happened. Is he cracking up, or th...
After the family moved to the new home, their daughter is possessed by a male demon, which is the sa...
What had initially started out as a Jewish revolt against the Roman occupation, quickly turned into ...
An old man's vision of a drowning world is clouded. He decides to take radical actions inflicting da...
Margaret is a shy, pale, middle-class Englishwoman who is reluctantly engaged to her older, twittish...
A San Francisco couple travels to France in search of Pablo Picasso.
Lecture given at Ford Foundation in New York City as part of the 'Milton Friedman Speaks' series.
A few weeks before the opening of the Eichmann trial, transcripts of recorded conversations that Ado...
Documentarians Andre Heller and Othmar Schmiderer turn their camera on 81-year-old Traudl Junge, who...
"Screening from Within" juxtaposes the historical trajectories of the Chinese adoption of the Soviet...