An enigmatic glimpse of life through precarious vignettes, propelling a narrative through a nebulous and opaque structure that sutures the filmmaker's home movie footage to archival material—from Hollywood narrative films to political selfie videos. A handmade impression of a time suspended between past and present and the ghosts and places occupying it, contemplating the nature and meaning of vision, memory and image making.

State of Bacon tells the kinda real but mostly fake tale of an oddball group of characters leading u...
Words are loaded with meaning. Certain ones conjure joyful memories and others remind us of less hap...

Twenty-five films from twenty-five European countries by twenty-five European directors.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their resp...

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrato...

Every image in The Fall of Communism as Seen in Gay Pornography comes from gay erotic videos produce...

Mona is a 22 year old trans girl from a small village in France. She puts needles attached to peacoc...

A documentary featuring 30 Argentinian women aged between 4 and 80, sharing their stories of resilie...

An interconnected look at tradition, colonialism, property, faith, and science, as seen through labo...

A short experimental documentary that interrogates how the modernization of parks and playgrounds in...

A homogeneous structure of wind and light across tree branches in the South region of Isère

One man's journey into the world of the so-called 'Bloodline' conspiracy, at the heart of Dan Brown'...

An experimental portrait of Fernando Fernán Gómez, one of the most renowned Spanish artists of all t...

Brief scenes of death related material: mortuaries, accidents and police work are filmed by TV crews...

The third installment of the infamous "is it real or fake?" mondo series sets its sights primarily o...

Follows the same pattern of the other Faces of Death movies. In this one we see many staged and not ...