A ritual vase, the hampi, is placed in the center of the Musée de plein air de la République du Niger in Niamey, during a ritual ceremony featuring possession dances. With this film, Jean Rouch continues his ethnological and cinematographic study of Songhay ritual objects. He demonstrates that, in a particular context, the transfer of a hampi vase to a museum requires the organization of a ritual ceremony to obtain the gods' approval. At the time, however, reservations about filming a possession dance for the opening of a shrine in a museum made the move "questionable from a museological point of view".

This intimate ethnographic study of Voudoun dances and rituals was shot by Maya Deren during her yea...

In the Darhat valley in northern Mongolia, the horses of nomadic tribes are stolen by bandits who th...

The people of Unamenshipu (La Romaine), an Innu community in the Côte-Nord region of Quebec, are see...

Shigeki, one of the Ainu people of northern Japan, follows the traditions of his ancestors and teach...

Remember the culture clash in THE GODS MUST BE CRAZY? This time it's real. One of the most ancient c...

Robert J. Flaherty’s follow-up to Nanook of the North shifts from the Arctic to the South Seas, port...

Forest of Bliss is an unsparing yet redemptive account of the inevitable griefs, religious passions ...

The story of a poor girl who leaves her starving family and sheep for a more prosperous village. Her...
The Bapst Brothers: Romain, Maurice and Jacques – whom we will also meet in The Gruyere Chronicle (p...

For months filmmaker Thierry Knauff lived with the Cameroonian tribe, the Baka. This is his document...

A synaesthetic portrait made between French Polynesia and Brittany, Color-blind follows the restless...

David and Judith MacDougall are exploring the marriage rituals and roles of Turkana women in this et...

This documentary started as part of a photography project about the indigenous Ainu population in no...

Niger is one of the poorest countries in the world and is also plagued by numerous terrorist organiz...

Commemorative celebrations of the independence of the Republic of Niger filmed in December 1961 and ...

The young goat herders from the cliff of Bandiagara practice on the stone drums of their ancestors. ...

AMIN portrays Qashqai musician Amin Aghaie, a young modern nomad and his family who despite facing s...

Portrays the Nuer, Nilotic herdsmen of the Nile basin. Shows how their daily lives revolve about the...

As retailers, wholesalers, and negotiators, Asante women of Ghana dominate the huge Kumasi Central M...