Renée Fleming has matured into one of the finest sopranos around at the moment, a true star with a sparkling personality and a velvet-toned voice that is capable of wringing the finest emotions out of works by Strauss and Tchaikovsky that from a lesser singer could sound rather cold and clinical. I wouldn't have thought her voice would be so well suited to Violetta Valéry in La Traviata, and it does take some getting used to, but I think she at least brings a distinct quality to the role with an emotional heart that isn't always necessarily there when a leading diva uses it primarily as a display for her vocal talents. It's served well also by Antonio Pappano's conducting of the Royal Opera House Orchestra in a traditional, but effective production by Richard Eyre.
Simon Keenlyside smolders dangerously in the title role of Mozart’s version of the legend of Don Jua...
Concert and documentary celebrating the 1st Anniversary of Moscow’s Zaryadye Hall
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make...
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the...
At the beginning of 1964, the music world experiences something completely unexpected. Maria Callas ...
A young woman, married to a wealthy man, but miserably lonely; trapped within a world ruled with an ...
The gorgeous and evocative Otto Schenk/Günther Schneider-Siemssen production continues with this sec...
Siegfried is the third of the four operas that constitute Der Ring des Nibelungen (The Ring of the N...
Visionary artist Matthew Barney returns to cinema with this 3-part epic, a radical reinvention of No...
The grand scale and magnificent acoustics of the Roman arena in Verona are ideally suited to the pag...
When this sumptuous production by Giancarlo del Monaco opened in 1995, legendary tenor Plácido Domin...
The water fairy Rusalka falls in love with an earthly prince. In vain, Father Aquarius warns her. He...
The Royal Ballet presents the world premiere of Cathy Marston's first work for the Company on the Ma...
Passion, jealousy and betrayal take center stage at Londons Royal Opera House in a spectacular produ...
Takarazuka Revue's Phantom based on the play by Maury Yeston and Arthur Kopit.
Inspired by one of the twentieth century's greatest novels, composer Lorin Maazel evokes Orwell's to...
A version of Benjamin Britten's opera based on the Melville story. Will the virtuous young sailor Bi...
What happened to Figaro and his friends after the events told in Rossini’s and Mozart’s operas? One ...
This filmed version of Strauss' shocker features Teresa Stratas as opera's most depraved teenager, a...