The confluence of words and movement propels this multi-layered collaboration by Atlas, choreographer Douglas Dunn, and poets Anne Waldman and Reed Bye. Dunn's athletic choreography is performed to the rhythms, cadences, and associative meanings of the poets' "cascade of words," which function as music. Atlas introduces narrative references, ironically staging the dance in unexpected locations, including domestic interiors and vehicles. In a self-referential deconstruction that punctures the theatrical illusion, the poets are seen reading their texts and interacting as self-conscious performers within the dance. Atlas and his collaborators intersect the language of words with the language of the body.

A biography of the poet W. B. Yeats and his contribution to the Irish independence movement as a Pro...

From the rains of Japan, through threats of arrest for 'public indecency' in Canada, and a birthday ...

From the remote Australian desert to the opulence of Buckingham Palace - Namatjira Project is the ic...

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Follows the young people of Selma, Alabama's RATCo (Random Acts of Theatre Company) as they journey ...

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"Speedball" Mike Bailey pulls back the curtain on the artistry of pro wrestling while fighting his w...

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A pair of short ballets, written for the screen, filmed and performed by artists of the Georgian SSR...

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Charcoal animation, taken from from Point of View: An Anthology of the Moving Image (2003).

A surreal exploration of queer identity in the face of immigration; following teenager Hajnal as the...

A gold prospector in Alaska struggles to survive the elements and win the heart of a dance hall girl...
The homoerotic poetry of Mutsuo Takahashi sets the stage for these associated images based on male d...

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