Lauded artist-filmmaker Heinz Emigholz (Schindler's Houses) offers an exquisite excursus on the work of pioneering French architect Auguste Perret, including privileged views of his innovative concrete structures in Algeria and such magnificent landmarks as Paris' Art Deco Théâtre des Champs Elysées. (TIFF)

Cheikh Djemaï looks back on the genesis of Gillo Pontecorvo’s feature film, The Battle of Algiers (1...

In 2024, Abdelkrim Baba Aissa, aged 75, engages in a series of filmed interviews with Algerian journ...
I started from the assumption that the discourse about the hospital could be the objective pretext f...

In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. ...

The image of French prisoners was very often evoked in Algerian cinema and literature, but until tod...

Jean Sénac, born in Béni Saf in Algeria in 1926 and died in Algiers in 1973, is today considered one...

By ending the life of Jean Senac on August 30, 1973 in Algiers, his assassins believed they would si...

"A country without artists is a dead country... I hope we are alive..." It is in this film by Fawzi ...

A core group of architects embraced the West Coast from Vancouver to LA with its particular geograph...

Pierre Clément, student and photographer of René Vauthier, first accompanied him to Tunisia to make ...

This docu-fiction recounts the difficulties overcome by an ALN detachment whose perilous mission i...

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a t...

The Algerian Sahara is the most exceptional deserts. He densifies everything he hosts, men and natur...

These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. T...