Working at the limits of what can easily be expressed, filmmaker Peter Mettler takes on the elusive subject of time, and once again turns his camera to filming the unfilmable. From the particle accelerator in Switzerland, where scientists seek to probe regions of time we cannot see, to lava flows in Hawaii which have overwhelmed all but one home on the south side of Big Island; from the disintegration of inner-city Detroit, to a Hindu funeral rite near the place of Buddha's enlightenment, Mettler explores our perception of time. He dares to dream the movie of the future while also immersing us in the wonder of the everyday. THE END OF TIME, at once personal, rigorous and visionary, Peter Mettler has crafted a film as compelling and magnificent as its subject.
Experimental short made by Olivier Assayas for Fondation of Contemporary Art and starring Maggie Che...
In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982...
Aqueducts transport water. Images transmit the memory. Images of aqueducts are useless.
The Iranian filmmaker Narges Kalhor, daughter of a former advisor of Ahmadinejad's, has been living ...
Portrait of The Church of the SubGenius in scratch, which means high speed cutting, media manipulat...
Chantal Akerman reads a script detailing the woes that befell her on the day she thought about "The ...
A postmodern Swiss-Tyrolean ensemble ventures into remote mountainous regions, embracing the sonorou...
Part lyrical document, part farce, Animals Under Anaesthesia: Speculations On the Dreamlife of Beast...
An observational film that using the fragmented format of a newscast program proposes a cinematic gl...
Arab-American filmmaker Yumna Al-Arashi embraces the rhythmic rituals that have run alongside Islami...
In his New York City landscape, Cohen finds inspiration in disturbance. Looking to life for rhythm a...
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzli...
An experimental sports film made partly during the Scandinavian Open Championships in Halmstad in 19...
Cine-diaries about rock bands and personalities from the eighties from the archives of Edgar Pêra.
A recollection of almost 40 years of career. A giant image-jukebox, from early 70s autoportrait to f...
A letter to a loved one from abroad. The reaction to a piece of news and the doubts generated by it ...
"After two years of massive didacticism in black-and-white [Hapax Legomena (1971-72)], I am surprise...
An analysis of film’s persistent relationship to sexuality, mediated by allusions to early cinema’s ...