A representation of queer and feminist imagery that was mainly shot in the Qinghai-Tibetan Plateau, remote and developing areas in southwest China, and metropolitan cities like Beijing from 2000 to 2004 to document the social changes in contemporary China. The director sympathetically and erotically represents a variety of women, including women as laborers, women as prayers, women in the ground, women in marriage, and women who lie on the funeral pyre with their dead husbands. Her camera juxtaposes the mountains and rivers in old times, the commercialized handicrafts as exposition, the capital exploitation of the elders’ living space, and the erotic freedom of the young people in a changing city.

The French High Mountain Military Group (G.M.H.M.) expedition to Everest in 1981, led by General Pie...

A gripping journey through seven decades of sexual ignorance, oppression, and suffering, brought to ...

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Intimate discussion with the inhabitants of Kfarbaal, a village tucked in the mountains above Byblos...

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In June 2003, the Episcopal Church in New Hampshire came under fire when it became the first to elec...

Interview with Jason Holliday aka Aaron Payne. House-boy, would-be cabaret performer, and self-procl...

Before Prop 8, Milk or Will & Grace, before the AIDS epidemic, gay pride parades or the Stonewall up...

Learning can be fun! This package of woman-to-woman safer sex videos features a spicy batch of publi...

A Man Vanishes examines the concept of Johatsu, tackling the phenomenon of people missing in Japan o...

The rise, fall, and legacy of gay rights warrior Jeffrey Montgomery, and the struggle for equality i...

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A report on the demographic impact of China’s one-child policy.

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