An intimate, and often humorous, portrait of three generations of exile in the refugee camp of Ein el-Helweh, in southern Lebanon. Based on a wealth of personal recordings, family archives, and historical footage, the film is a sensitive, and illuminating study of belonging, friendship, and family in the lives of those for whom dispossession is the norm, and yearning their daily lives.
Uli Köhler and Nick Golücke have visited the protagonists of the 1990 World Cup 20 years after their...

A filmmaker journeys back to the significant places of his Kentucky upbringing to preserve the memor...
The ultimate guide to the players on the road to Rio. Ahead of the world football tournament in June...

Specialist film crews, capturing beautiful, cinematic footage from around Russia using industry lead...
Takes place in the Saharawi refugee camps in Algeria against the historical backdrop of Spanish colo...

As the dissociated convenience of the Internet and globalized corporate culture continue to shut dow...

Across Africa, people are using soccer to lift themselves up, to create change in their communities ...

An estimated 12 million people live in refugee camps worldwide and only 0.1% are resettled, repatria...

Filmmakers and collectors lift the curtain on their manic media obsession that is not only a huge pa...

This documentary follows the French soccer team on their way to victory in the 1998 World Cup in Fra...

A documentary of the German national soccer team’s 2006 World Cup experience that changed the face o...

Including incredible childhood footage, this wide-reaching documentary gains a detailed understandin...

For just over an hour and a half, Two Billion Hearts takes the viewer back to the adventure of the w...
When Melody was a young child, 20+ years away from coming out as transgender, she developed an obses...

This is the official FIFA film of the 1982 World Cup Finals in Spain. Runs 96 minutes and includes c...

1986 FIFA World Cup Official Film. Mexico had just recovered from a devastating earthquake, but the ...