fifteen zero three nineteenth of january two thousand sixteen explores how everyday routines and gestures are transformed when a mother loses her child in the violence impacting Swedish outskirts since the early 2000s. The film resists simplistic media depictions of the suburbs and shows how a home can hold both mourning and the mobilization of women to fight for their own and others' children.

How much can you trust your childhood memories? Director Sam Firth investigates, sweeping her parent...
A glimpse into a visual representation of memory; A Christmas-time series of meals, coffees, and mov...

One who doesn't have roots won't be able to grow wings-a documentary project about a man tracking hi...

This picturesque Ukrainian farm is not surrounded by fields, but by huge housing developments. Omino...

A silent dance documenting a brief visit to Minneapolis in the fall of 2022. A reflection on the sle...

Two years after an injury halted his career, Germán, a two-time Olympic medalist, returns to competi...

In what could be considered a follow up to Al Qasimi’s 2020 work Mother of Fire, she once again invo...

On the age of 51, a father leaves his family to live as a carpenter. Away from the family and house ...

Tourists eating and taking photos. Tourists strolling and taking photos. Tourists bathing on the bea...

Quatre altitudes bosniaques is an exercise in topographic cinema shot in Bosnia-Herzegovina. The doc...

An intimate diary of a young woman whose pregnancy causes her to suffer from enhanced nightmares, an...

Outtakes, commentary from Zefier's third film: Jo; or The Act of Riding a Bike.

In 1973, eleven year old Miguelito was discovered singing in the San Juan airport by the legendary N...

Roads fall into the sea and a travelogue breaks against the landscape.