The film, shot in 1938, is part of a series entitled “The true face of Algeria”. The film highlights the proximity of Algiers to Paris and promotes air travel. The commentary supporting the images highlights the urban dynamism (“Every day, a new skyscraper replaces a wasteland”) and the comparison with Paris (“Algiers is often nicknamed the Paris of North Africa because of its elegance become proverbial). Contemporary architectural achievements are described as the sign of “grandiose modernism”: “we love the new, the bold”. But the point does not forget the buildings illustrating “the Moorish, classic and attractive style”. The description of the Casbah also attempts to understand the architectural organization but also the diversity and even the atmosphere.
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Algiers. From the port to the souks, passing through the Jardin d'Essai, Dominique Cabrera transport...
Director Djamel Kelfaoui pays tribute to the great singer Cheb Hasni, king of sentimental raï, who b...
In the 1980s, Algeria experienced a tumultuous social context which reached its peak during the riot...
In an age when women were incapable of joining the artistic dialogue, Lilias Trotter managed to win ...
In the competitive world of tourism, there are very few experiences that are out of bounds. “Danger ...
On September 5, 1960, the trial of about twenty French activists from the "Jeanson Network" began, s...
Oversand is one of the first films about free climbing, the third film in a series of three with "Ov...
60 years ago, in the Algerian desert, an atomic bomb, equivalent to three or even four times Hiroshi...
A warm, attentive chronicle of everyday life in a small Algerian town, with the backdrop of the inha...
Six o'clock in the morning, the sun rises behind the Djurdjura mountain. With precise gestures, lear...
The artistic journey of Dahmane El Harrachi, born in 1925 in Algiers, bears the mark of his experien...
The Bavarian district town of Dachau gained worldwide fame as the first Nazi concentration camp and ...