Filmmaker Herbert Alfonso and musician Glenn de Randamie travel to Ghana to do some research on polyrhythm and the West-African spirituality. However, their trip to The Motherland makes them realize that home is more than the place where they grew up. Years later, they recollect their faded memories and try to find the right words to describe their intense experience. What exactly made them feel at home and lost at the same time? What does being home actually mean for a black individual from Europe while visiting Africa? Only abstractions seem to persevere as this colourful and musically-charged collage serves to show how a life-changing experience can leave us with nothing but fragments of a truth that has yet to be discovered.

“An Untitled Film” by George Alshevskij-Jones is a short documentary/visual essay about the struggle...

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The 6 Guarani villages of Jaraguá, in São Paulo, fight for land rights, for human rights and for the...

Follow the rise, fall, and reinvention of controversial and revered '90s television psychic Miss Cle...

Why are there so many ghosts on the island of Jamaica? Why is the island so notoriously haunted by t...

In a moment of catastrophic climate change, Jon Wright, a gay farmer, is faced with a dilemma. His 2...

Sociologist David W. Wahl explores the identity work involved in Kay Parker shifting from being a le...

In the town of Xoco, the spirit of an old villager awakens in search of its lost home. Along its jou...

Shelley is a timid elderly lady who is competing in the Miss Senior USA pageant. Immersion in an ext...

Filmmaker Sophie Dros enters into a dialogue with strong women in a powerfull document about being a...

This intimate ethnographic study of Voudoun dances and rituals was shot by Maya Deren during her yea...