Directed by Pierre Clément and Djamel-Eddine Chanderli, produced by the FLN Information Service in 1958, this film is a rare document. Pierre Clément is considered one of the founders of Algerian cinema. In this film he shows images of Algerian refugee camps in Tunisia and their living conditions. A restored DVD version released in 2016, from the 35 mm original donated by Pierre Clément to the Contemporary International Documentation Library (BDIC).
A musical journey with stories of Rai music, starting with the Algerian city of Oran, where Rai musi...
After having fled Pol Pot, Rithy Panh, a 15 year old Cambodian finds refuge at the Mairut camp in Th...
In one of the world's largest and oldest refugee camps, Dadaab, the inhabitans survive by watching f...
Who remembers Mohamed Zinet? In the eyes of French spectators who reserve his face and his frail sil...
At the beginning of the 1960s, in Salisbury (now Harare), in Southern Rhodesia (now Zimbabwe), the g...
"Film shot on the 'bench' from hundreds of photos, buildings, streets, towns unusually colorful for ...
Ekhlas Alhlwani was forced to flee Syria with her three children and now lives in Zaatari, a refugee...
Claire Denis goes to Eastern Chad to the Breidjing camp, the home of 40,000 refugees from Darfur. Wi...
“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist A...
Hungarian refugees in Austrian camps after the failed revolution in Budapest.
Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held ...
On November 1, 1954, near Ghassira, a small village lost in the Aurès, a couple of French teachers a...
These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. T...
Documentary about the humanitarian crisis of the refugees between 2015 and 2018
A group of refractory and pacifist Bretons is sent to Algeria. These beings confronted with the horr...
When French writer Marguerite Duras (1914-96) published her novel The Sea Wall in 1950, she came ver...