Dominique, Suzanne, and Annette: three women who participated in the adventure of the Medvedkine groups (Besançon, Sochaux, 1967-1974). In those same years, the lives of our grandmothers and mothers experienced decisive changes: they worked outside the home and revolutionized customs. A group of Besançon students are investigating those events and questioning their own family memory.
A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present...
The horror film genre’s most iconic Scream Queens are featured in this documentary about women’s rol...
Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects...
Janet Sharrock has two children and Brent “Buddha” Barnes has three; the pair has a meet-cute at the...
A candid portrait of the women working at the Lőrinc spinning mill. As with so many of Mészáros’ sho...
Artist Kate Blackmore looks at motherhood and mobility, film and feminism through the prism of Marga...
A documentary reflecting on women in film and the entertainment industry through the ages led and ho...
In recent years, Hollywood productions have turned away from sensuality. Is the sex scene on the ver...
The open road presents a point of departure for director lori lozinski to process deep-seated grief....
An unpredictable documentary from a fascinating storyteller, Agnès Varda’s last film sheds light on ...
A compilation of "coming attractions" from bad '50s melodrama through the greatest disaster movies o...
a chronological coming attractions overview of Jodie Foster’s career
A docu-drama shot in 1970, but not completed until 1973, the film sought to encapsulate in an experi...
A verité legal drama about Judge Kholoud Al-Faqih, the first woman appointed to a Shari'a court in t...
$avy investigates the historical, cultural, and societal norms around women and money.
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrato...
This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980...
Hajar is a 55-years-old Bahktiari woman from Iran who is betrayed by her family and forced to abando...
The Ministry of Labour exhorts women to return to industry – the post-war production drive depends o...