Things are busy at the Paris hospital where young psychiatrist Jamal and his colleagues work. The place is run down, the staff are exhausted, budgets are constantly being slashed. You know the story, but you’ve rarely seen it conveyed as engagingly as in ‘On the Edge’, which employs a handheld camera and meaningful, artistic interventions to observe the daily routine at the psychiatric ward. The deeply sympathetic Jamal is an everyday hero with an exemplary, humanistic disposition, for whom the most important prerequisites for mental health – and for a healthy society in general – are good relationships with other people. He puts his philosophy into practice by listening patiently, giving good advice and organising theatre exercises based on Molière. Realism and idealism, however, are in balance for the young doctor, at least as long as the institutional framework holds up.

Focuses on the state of the Quebec health system in the early 1970s. This film reveals the harsh rea...

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I started from the assumption that the discourse about the hospital could be the objective pretext f...
This compelling film represents a rare record of an original genius. In Jung on Film, the pioneering...

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Deng Xiaoping's economic and political opening in China. Margaret Thatcher's extreme economic measur...

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Stresses recognition and treatment of drug abuse emergencies, accurate identification of symptoms, a...

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