On the coast of the Arctic Ocean of Chukotka live people cut off from the world. Their life revolves around hunting walruses and whales and protecting villages from bears coming from the tundra. This turns the film into a reflection on death. Marine animals become the food of people, animal leftovers are used to feed arctic foxes on a fur farm, human cemeteries become prey for bears. It seems that all the inhabitants of these places are involved in the cycle of food and death. The film departs from the usual rhythmic structure of cinema, being built on the principle of a shamanic ritual, a meaning-forming event for northern peoples.

Some champion exhibits from the National Cat Club Show and the Combined Bird and Aquaria Show, descr...

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In the wake of cataclysmic regional change in the artist's homeland of Hong Kong, Simon Liu’s Cinema...

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Comments on the history of a people, made by the filmmakers and their characters. From the time of c...
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Martin Scorsese, Robert De Niro, Joe Pesci, and Al Pacino in conversation about The Irishman.