These are the dancing bodies in an agitated rapture: prelude to trance, invocation of the gods, consecration of intermittence. Here our point of view sparkles under the spell and trance of things gathered, fallen, yielding, pluvial, Mesoamerican wind, goddess breath, breeze of sticks. percussive woods. Here the audiovisual diagram that guides us, the kinetic breath that inspires us, the serpentine spear that snatches us away, the agitated plumes that trembles at us are the sound and rumbble of Teponaztli, a Mesoamerican percussive instrument: serpentine, dancing, bouncing sticks, trunks, branches and wood. Kinetic and audiovisual serialism from the embers of the Earth. This is the Earth in a Trance.
Ten years after the death of iconic French filmmaker, Chris Marker. A filmmaker, hoping to rediscove...
Hansjürgen Pohland's short documentary is an audiovisual study that captures events and people on th...
An Editor recounts the diaries of a failed film production as they attempt to construct a new narrat...
Aurum Iter is a cinematic journey that delves into the depths of the visual and sonic, challenging t...
The short film follows Endika, a director who, in the midst of a clash with his reality, transforms ...
Optical art with camera movement.
This short, started early on into sobriety, finished about nine months in, is a collage of diaries a...
A mixture of a time travel, a documentary, artistic and performative record of the director's subjec...
Structural study of a tree. Light, water and air coax it out of the soil in a manner foregrounding t...
Political engagement spawned the wildest of wonderlands for Hong Kong’s creativity – but as a new la...
In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw...
A short film that follows key figures of the London kink scene on an exploration into BDSM and the n...
Shot on three cameras over the life cycle of one snowfall, Decaying Vessel is an expression of trans...
A cinematic impression of Vietnam, told through the eyes of Vietnamese immigrants.
In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982...