With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical White is part of a trio of video works that are a series of dream-like moving pictures.
A picture about the fine art of prehistoric times, the remains of which have been found in various p...
The first part of the documentary about the work of the Czech painter Mikoláš Alš called "The Song o...
The second part of the documentary about the work of the Czech painter Mikoláš Alš called "Glorious ...

Painter Françoise Gilot shared Pablo Picasso's life from 1943 to 1953. This union nourished their re...

Canadian folk artist Maud Lewis falls in love with a fishmonger while working for him as a live-in h...
Recorded Live on August 11, 2013, KEXP and Nature Consortium presents Cloud Cult performing at Camp ...

Rita is fifteen and spends the summer between warm afternoons of teenage love and party nights with ...

Ever since his mother died, Kazuna Takashiro has been living under the roof of Mr. And Mrs. Eda, who...

Pioneering artist Lillian Schwartz demonstrates the human input -- integrity, artistic sensibilities...

James Wong Howe follows artist Dong Kingman over the course of a day, in which the maestro starts an...

Ellis, a fourteen-minute film directed by JR and written by Academy Award winner Eric Roth, tells th...
Ester Hernandez, winner of the San Francisco Foundation 2004 Community Leadership Awards (Helen Croc...
When Anna, a twenty-eight-year-old photographer, is put in charge of a report on the restoration wor...

Shot over five years. A unique document of the creative work of the most representative artist of he...

Three restoration students and scholars from all over the world meet in a Palladian villa in view of...

A short documentary about Dave Kloc's weekly poster-making process for The Meltdown with Jonah and K...
Brenda Way, founder and artistic director of ODC, is a recipient of the San Francisco Foundation Com...

"As a contribution to Gerry Schum's 'Identifications', Beuys adapted for television the 'Felt TV' ac...